Show Reel #1
US CREDITS
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US TV: Star Wars: Ahsoka Series 1 Disney+ recurring, Star Trek: Picard Paramount+ series 3 recuring, “YOU” NETFLIX series 1 co-star, Hand of God Amazon Original Series 2 co-star re-curing; Nova Vita series regular, The Gloaming TV series; The Source co-star re-curing web series.
US Films: (partial list) Husband, Wife & Their Lover, Lost in Tomorrow, DAWN, Phantom Valley, Switched at Death, Forgotten, Hello I’m Famous, Double Dead, Blind, Fortune Defies Death (Best Actress nomination Prince of Prestige IMDB 2018), Night Fiend, The Great Trumball, NOW WAS WHEN, Total Awesome Viking Power (Best Supporting Actress nomination Sydney Independent Film Awards 2015).
US Stage: SUFFRAGETTE for Santa Monica Playhouse, DELUSION: The Blue Blade for The Great Company, OVERTONES for Hollywood Stage Company, Dying to Live for the P.S.O.A.R Coalition; White or the Muskox Play public reading for Bare Bones Theatre Laguna Beach; The Hairy Ape public reading for GREX Group LA; D’Arc Voices for Underground Theatre & 2015 Hollywood Fringe Festival; The Trial of Dali for Pro Arte Productions& 2014 Hollywood Fringe Festival.
AUSTRALIAN CREDITS
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Australian TV – Boom Box v3 web commercial; Behind Mansion Walls series 2 & 3; Deadly Women series regular 5, 6, 7. National commercials include Aeroguard, Australian Seniors Insurance and Vodafone.
Australian films (selected list) Hard Land of Wonder, ARTiculate, Brad Fitt Will Be Mine, Deviator, Out to Dry, Storm in a Teacup, Bikes, Prudence Pecker, EQUILATERAL, Star Baby & Dallas Doll.
Australian Stage (selected list) Love and Information for Theatre Works Melbourne; Picasso at the Lapin Agile for Hunter’s Hill Theatre; The 8: Reindeer Monologues for All Fired Up; BEN HUR ARENA SPECTACULAR for Stade France; The Possibilities for Directors’ Collective; The Rats for Factory Space Theatre; The Rules of April & The Bridesmaid Must Die for Tunks Productions; Broken Dreams for Griffin Theatre; Kindertransport for Hunter’s Hill Theatre; Queen Lere (King Lear) for CUT Theatre; Significant Others...Shakespeare’s Women Australian National Tour (wrote, produced & performed); The Two Gentleman of Verona for Stage Right Theatre; ‘your little mausoleum’ & A Vision on the Retina for Short & Sweet 10 Minute Play Festival Sydney; ‘Death’ & ‘God’ for Moondance/Rare Birds; The Mother for ARTTS UK; Henry 4th, Pt.1, The American Clock, The Quartered Man, The Glint of the Irish, The Kangaroo Court for NEW Theatre; Greenland for Iron Cove Theatre; My Fair Lady for the Victorian State Opera; & was a company member of Kinetic Energy Performing Arts Company.​​
Education
Master of Arts (MA) in Theatre and Film from University of New South Wales (UNSW); Classical Acting Certificate from British American Drama Academy UK (BADA) &
post-graduate performing arts certificate from ARTTS International UK.
Teaching
Jane was head tutor of the Adults Drama course at Eastern Suburbs Community College in Sydney for 14 years; and offered private audition coaching for professional actors, Shakespeare workshops and HSC final exam coaching as part of her Australian business, Resource Performance Workshops (RPW) prior to relocating to the US in 2014.
Actor Training (selected list)
​Howard Fine (Aust & US)
Margie Haber (US)
Jean-Louis Rodrigue (US Alexander Technique)
Karen Kohlhaas (US)
Bella Merlin (UK)
John Bell (Aust.)
Andrew Wade (BADA UK), John Barton (BADA UK), George Hall (BADA UK), David Leveaux (BADA UK),
Ben Kingsley (BADA UK), Jane Lapotaire (BADA UK)
ARTTS International (UK)
Bill Pepper (Aust)
The Actors Centre (Aust)
Ross Coleman Performing Arts School (Aust)
Show Reel #2
'Horrible People' Sizzle
'Supernatural' Sizzle
As producer/director
@ stories about humans theatre company (click to go to website)
Jane Edwina is artistic director of (RPW &) stories about humans theatre company, established in Australia in 2000 and in the US in 2015.
2024
Produced & directed 2 Sydney Development Workshops for the BARD Project: #3The Women Scenes in Richard the Second at Ready Made Rehearsal studio in June; #4The Belligerent Scenes in Richard the Second Combat Development workshop at Flight Path Theatre rehearsal space in October.
2019
Produced & directed 2 Sydney Development Workshops:
#1 Richard II by W. Shakespeare
#2 Galileo by Bertolt Brecht at The HUB Studio which initiated the BARD Project development workshop series.
2018
Curated, produced & directed RAW BiTES: The Road-Trip Monologues new writing for stage written by 8 international playwrights at The Zephyr Theatre, Los Angeles, USA.
2017
Produced & directed The Radiant by Shirley Lauro at The Other Space, Los Angeles, USA.
2016
Produced & directed The Days Are as Grass by Carol Hall at The Depot Theatre, Sydney, Australia.
2015
Produced & directed 2 moved readings of The Days Are as Grass by US playwright Carol Hall in Los Angeles & Sydney.
2008
Directed ‘Too Dark a Pink’ for Sydney Short and Sweet 10 Minute Play Festival at The King Street Theatre.
2008
Produced & directed a studio performance of Voices from September 11 by US playwright Lavonne Mueller.
2000 –2003
Wrote, produced & performed her critically acclaimed one-woman show ‘Significant Others: Shakespeare’s Women’ which toured to Melbourne 2001, Adelaide Fringe Festival 2002; & had 2 seasons in Sydney at TAP Gallery 2000 & PACT Theatre 2003.
1996
Wrote, produced & performed ‘Christmas Remembered’ a regional library tour in Hampshire England.
1987
Directorial debut with 2 workshop productions of
Talking With by Jane Martin on the main stage at the NEW Theatre in Sydney, Australia.​​​​​
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